I went to a seminar last week where Seth Godin talked about how to become a linchpin.  He talked about the things he usually talks about: being irreplaceable, spreading messages that are worth spreading, being willing to fail, etc.

Photo Credit: Wa-J on Flickr

It was an extremely engaging talk and got me to thinking about how the dance world could really benefit from his advice.

Dance is going through a very interesting and somewhat frightening revolution.  We are seeing a new culture emerge that embraces “the hired body,” the dancer that masters a set of techniques dictated by a specific dance vocabulary, almost like a checklist.

That’s a lot of jargony language, but basically what I’m saying is that today, dancers are being trained so that they can be hired.  They are being trained so that no matter what kind of movement a choreographer gives them, they will be able to do it.

The problem with this is that instead of becoming artists, instead of becoming linchpins, and instead of becoming irreplaceable, these dancers become cogs.  At the very best, they become exceptional at being told what to do.

Photo Credit: PhillyLambs on Flickr

We see this on shows like So You Think You Can Dance all the time.  They accept exceptionally trained dancers that can convincingly perform any style of dance that is thrown at them.  And they are all very good at being told what to do.

So what’s wrong with being told what to do? A lot!  It creates the impression that the only way to be successful as a dancer is to be a hirable body, when in reality if that is all you can do, you’ll be replaced by some 18-year-old by the time you are 27.

You shouldn’t be able to write down art.  Art is about self-expression but it seems that the emphasis in mainstream dance is trending towards perfection and mastery.  It makes people describe the dance world as “cutthroat” instead of supportive and innovative.

I’m not arguing that technique isn’t necessary.  I’m arguing that having good technique shouldn’t be measured by someone being able to execute a checklist of movements.

Singers and musicians aren’t respected just because they can hit high notes; they are respected because they put their heart and soul into their work to create true art.  Dancers should be judged no differently.

Photo by Yannick Bindert

So what do we do? We give dancers the tools to be successful while being different.  We create a community that allows people to fail in order to promote innovation.  I think we can learn a lot from the avant-garde fashion industry, which praises and respects designers and artists that take a chance, even if they (or their models) fall on their face.

We need to show dancers that you can still make beautiful art without pointing your toes all the time or being able to do a triple pirouette into a front flip suicide.

Let’s make real artists and not just hired bodies.